White People Have a Racial History Too

Alice Walker in AlterNet

I want a grown-up attitude toward Cuba, for instance, a country and a people I love; I want an end to the embargo that has harmed my friends and their children, children who, when I visit Cuba, trustingly turn their faces up for me to kiss. I agree with a teacher of mine, Howard Zinn, that war is as objectionable as cannibalism and slavery; it is beyond obsolete as a means of improving life. I want an end to the ongoing war immediately, and I want the soldiers to be encouraged to destroy their weapons and to drive themselves out of Iraq.

I want the Israeli government to be made accountable for its behavior towards the Palestinians, and I want the people of the United States to cease acting like they don't understand what is going on. All colonization, all occupation, all repression basically looks the same, whoever is doing it. Here our heads cannot remain stuck in the sand; our future depends of our ability to study, to learn, to understand what is in the records and what is before our eyes.

(read entire article)

L'Étranger

Patricia J. Williams in The Nation

"Recently the New-York Historical Society and the Studio Museum of Harlem curated "Legacies," a fascinating show at N-YHS in which contemporary artists reflected on slavery. One of the commissioned pieces that accompanied the display was a short film by artists Bradley McCallum and Jacqueline Tarry. It featured McCallum, who is white, and Tarry, who is black, configured as a "twinning doll"--a nineteenth-century toy that has two heads, one at each end of a common torso. At the doll's waist is attached a long skirt or a cloak. Held vertically, the skirt falls and obscures one head. Flipped one way, it becomes a white doll. Turned upside down, the skirt falls the other way and suddenly it's a black doll. In the film, McCallum and Tarry, joined at the waist by some feat of pixilated trickery and dressed in nineteenth-century clothing, flip head over head down a long dark marble corridor, first a white head, then a black head, first a white man, then a black woman, first a Thomas Jefferson, then a Sally Hemings. As they describe it, "the races are joined head to toe...continuously revealing and concealing one another." Such an interesting metaphor for the state of our union. [...]

On MSNBC's Chris Matthews Show, Matthews hosted a discussion of Obama's decision to run for President. "No history of Jim Crow, no history of anger, no history of slavery," Matthews opined. "All the bad stuff in our history ain't there with this guy." Not true, I thought. The "bad stuff in our history" rests heavily upon each and every one of us. It shapes us all, whether me, Matthews, Obama, Biden--or Amadou Diallo, the decent, hard-working Guinean immigrant without any American racial "history," who died in a hail of bullets fired by New York City police officers because he looked like what the officers, groaning with racial "baggage," imagined to be a criminal. Some parts of our racial experience are nothing more or less than particular to our accidental location in the geography of a culture. (read entire article)

Another version appears in alternet as "Obama's Identity: Where Do We Start?" (read article)